![]() Having said this, there are a lot worse guitars out there, and as well as being historically important, the 1820 bass can certainly provide the goods when required. Over the course of the 70s, the Japanese output improved dramatically, and in many ways these early 70s models are a low point for the brand. Its Black tolex on both its head & 2×12 cabinet are super tidy. These new Epiphones were based on existing Matsumoku guitars, sharing body shapes, and hardware, but the Epiphone line was somewhat upgraded, with inlaid logos and a 2x2 peghead configuration. Instrument Description: This is a totally GROOVY 1967 Fender Bandmaster Piggyback Amp set in very clean all original shape for that Grateful Dead collector. 1965 Fender Bandmaster Blackface Piggyback Vintage Tube Amp Head & 2x12 AB763 Used Excellent 1,299.99 + 145 Shipping This listing has ended View similar gear from other sellers on Reverb View similar gear Watch Watch this gear and we'll notify you if it becomes available again. The Matsumoku factory had been producing guitars for export for some time, but the 1820 bass (alongside a number of guitar models and the 5120 electric acoustic bass) were the first Epiphone models to be made there. If you have specific questions about the condition or originality of this instrument, we invite you to call us to discuss further.By the end of the 1960s, a decision had been made to move Epiphone guitar production from the USA (at the Kalamazoo plant where Gibson guitars were made), to Matsumoto in Japan, creating a line of guitars and basses significantly less expensive than the USA-built models (actually less than half the price). Please Note: We pride ourselves on thoroughly vetting each vintage instrument we sell. Vintage 1965 Fender USA Bandmaster Blackface Guitar Amplifier Speaker Cabinet 949.95 musicdungeon (19,292) 99.5 or Best Offer +111.62 shipping Sponsored Fender Piggyback Speaker Cabinet Bushings Bassman Showman Tremolux Bandmaster Brand New 7 product ratings 24. A recent trip to our favorite local amp tech Stan Day ensures years of additional service - it's been recapped and a new pair of 6L6s were installed along with a 3-prong power cord. All of the transformers are original to the amp and reveal date codes from early 1966 through mid 1967, securely dating this one inside of 1967. This particular amp spent many years under the ownership of a gigging musician who had owned it since the mid 1970s, and it's got the wear to prove it! It still remains is solid, stable condition, and shows most of its wear on the faceplate and as evidenced in the condition of the knobs. The diode rectified circuit tends to tighten up the low end response a touch, while the slightly smaller transformers keep the overall volume a bit more tempered than, say, a Bassman. 198 Dislike The Guitar Amp Tech 2.29K subscribers Join me in the repair and refurbishment of this classic Fender Blackface Bandmaster from 1965. Beautiful sweet clean tones are the name of the game here, which make these excellent choices for someone who prefers a clean platform for pedals or just wants that classic BF Fender tone in a more stripped-down setup. ![]() Pushing 40 watts via a pair of 6L6 power tubes, the Bandmaster shares some of its DNA with the Vibrolux Reverb, albeit without the reverb circuit. ![]() This 1967 Fender Bandmaster is one of the earliest "Silverface" era examples we've come across, featuring an entirely original AB763 circuit and all Blackface Era internal components.
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